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Let angels prostrate fall. Bring forth the royal diadem, Refrain: and crown him, crown him, crown him, crown him Lord of all! 2 O seed of Israel's chosen race now ransomed from the fall, hail him who saves you by his grace, Refrain 3 Let every tongue and every tribe responsive to his call, to him all majesty ascribe, Refrain
One set is instrumental only, and is sometimes used as accompaniment in church meetings. In the other set, the hymns are sung by a quartet with piano or organ accompaniment. Many popular singers and instrumentalists, including the Tabernacle Choir at Temple Square , Orchestra at Temple Square and Saints Unified Voices have also recorded ...
By today's standards many of the hymns are quite challenging, even for choirs, let alone congregational singing. They were very high-pitched, sometimes ascending above the staff to a high g' or a' in the soprano parts. The tenor parts were written on a separate staff above the soprano and alto lines, making accompaniment difficult.
Let Thy Hand Be Strengthened (HWV 259) is thought to have been composed between 9 September 1727 and 11 October 1727. The text of the second hymn is from Psalm 89 (verses 13–14). It is divided into three parts: a cheerful light beginning in G major, a melancholy, slow middle section in E minor and a closing Alleluia part again in G major.
Where Angels Fear to Tread is a studio album by worship artist Matt Redman. ... Let Your Glory Fall" – 5:10 "Where Angels Fear to Tread" (Matt Redman, Tom Lane ...
Pott then published "Angel Voices, Ever Singing" in 1866 in his Hymns fitted to the Order of Common Prayer hymnal. [7] [8] The hymn eventually gained popularity in the United Kingdom and in the United States. In 1872, Arthur Sullivan wrote a separate tune, which was also called "Angel Voices" for the hymn. [9]
"Holy, Holy, Holy! Lord God Almighty!" is a Christian hymn written by the Anglican bishop Reginald Heber (1783–1826). Written during the author's time as vicar in Hodnet, Shropshire, England, the text was first published posthumously in 1826.
John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.