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The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
Jules Dassin's 1950 masterpiece was his first movie after being exiled from America for alleged communist politics, and the unpleasant ordeal seems to have infused his work with a newfound resentment and pessimism, as the film—about foolhardy scam-artist Harry Fabian (Richard Widmark) and his ill-advised attempts to become a big shot—brims ...
The Accused (1949 film) Accused of Murder; Ace in the Hole (1951 film) Act of Violence; Adventure in Vienna; Affair in Havana; Affair in Trinidad; Africa (2011 film) Afsporet; Alimony (1949 film) All My Sons (film) All the King's Men (1949 film) Allotment Wives; Among the Living (1941 film) Andha Naal; Angel Face (1953 film) Angels Over ...
Noir is a Canadian drama film, directed by Yves Christian Fournier and released in 2015. [ 1 ] [ 2 ] An ensemble cast film set primarily in the impoverished Montreal North area, [ 3 ] the film focuses on a variety of interconnected storylines. [ 3 ]
Robert Creighton Williams W. R. Burnett: Based on: the novel Vanity Row ... Accused of Murder is a 1956 American film noir crime film directed by Joseph Kane and ...
Crane Stewart (Charles D. Brown), the editor of the New York Star, while playing poker with his friends, tells a story about a cop involved in a murder investigation.. In flashback, the editor tells the tale of police lieutenant Tony Cochrane (William Gargan), a family man who cheats on his wife with socialite femme fatale Jill Merrill (Janis Carter).
Thames Silents is a series of releases (theatrical, broadcast and home video) of films from the silent era produced by the British ITV contractor Thames Television. Kevin Brownlow and David Gill were the two main people involved in the project.
It is often compared with Wilder's other acclaimed film noir Sunset Boulevard (1950). Film scholar Robert Sklar explains, "[T]he unusual juxtaposition of temporalities gives the spectator a premonition of what will occur/has occurred in the flashback story...Besides Double Indemnity and Detour , voice-over is a key aspect of Mildred Pierce ...