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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
" Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno. The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it. Modern commentators on the Inferno view it as some kind of demonic invocation to Satan. [1] [2]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Image credits: moviequotes Quotes from compelling stories can have a powerful impact on the audience, even motivating them to make a change. When we asked our expert about how movies and TV shows ...
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
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