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Ornamental turning is believed to have originated in Bavaria in the latter part of the 15th century when it consisted mostly of rose-work, being done by using a cam or template (called a rosette) mounted on the lathe spindle and allowing the headstock to rock under tension of a spring or weight, to follow the contour on the edge of the rosette: also the spindle was allowed to slide to and fro ...
The Holtzapffels developed ornamental turning lathes from the continuous revolution lathe combined with metal-working innovations like the automatic slide rest. These lathes worked from geared patterns to cut designs in hardwoods such as ebony. They were favored as a hobby by European princes, meriting a mention by Tolstoy in War and Peace (1869).
The Hermitage Museum, Russia, displays the Nartov's copying lathe used for ornamental turning: making medals and guilloche patterns designed by Nartov in 1721. [2] Nartov's lathe duplicated the pattern from a template to a blank, cutting to the preset scale. A probe traced the template and the cutter cut accordingly.
No other ornamental lathe can produce these "rose" patterns. The decoration produced by a rose engine lathe is called guilloche . It sometimes confused with "jewel finishes" or engine turning , a much cheaper process of making swirly marks in metal by a rotating abrasive peg or pad, which is repeatedly applied to the surface to make a pattern ...
Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name. Engine turning machines may include the rose engine lathe and also the straight-line ...
The Holtzapffel dynasty of tool and lathe makers was founded in Long Acre, London by a Strasbourg-born turner, Jean-Jacques Holtzapffel, [1] in 1794. The firm specialized in lathes for ornamental turning but also made a name for its high-quality edge and boring tools.
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