Search results
Results from the WOW.Com Content Network
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Eisegesis is when a reader imposes their interpretation of the text. Thus exegesis tends to be objective; and eisegesis, highly subjective. Although the terms eisegesis and exegesis are commonly heard in association with Biblical interpretation, both (especially exegesis) are used across literary disciplines.
The term "piano trio" also refers to works composed for such a group. A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. [80] It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.
Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.
Exegesis (/ ˌ ɛ k s ɪ ˈ dʒ iː s ɪ s / EK-sih-JEE-sis; from the Greek ἐξήγησις, from ἐξηγεῖσθαι, "to lead out") is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works.
The term refers to diegesis, a style of storytelling. In her 1987 work Unheard Melodies, Claudia Gorbman was influential in establishing the terms "diegetic" and "non-diegetic" (derived from narrative theory) for use in academic film music studies. From there, its usage spread to other disciplines. [2] [3]
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Musical expression is the art of playing or singing with a personal response to the music. [ 1 ] At a practical level, this means making appropriate use of dynamics , phrasing , timbre and articulation to bring the music to life. [ 2 ]