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Popular action-adventure video game Assassin's Creed features a climbable cathedral modelled heavily on the Chartres Cathedral. Chartres Cathedral and, especially, its labyrinth are featured in the novels Labyrinth and The City of Tears by Kate Mosse, who was educated in and is a resident of Chartres' twin city Chichester. [82] [83] [84]
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
It was then bought by the City of Chartres for use as a town hall in 1824, and a museum and a library were also established in the building. [ 5 ] The museum relocated to Cloître Notre Dame, to form the Musée des beaux-arts de Chartres, in 1939, [ 6 ] but the library remained in the building and was badly damaged by inaccurate allied bombing ...
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
The two main high schools are the Lycée Jehan de Beauce and the Lycée Marceau, named after two important personages of the history of Chartres: Jehan de Beauce was a 16th-century architect who rebuilt the northern steeple of the cathedral after it had been destroyed by lightning in July 1506, and Marceau, a native of city, who was a general ...
The old Romanesque cathedrals were too small for the population, and city leaders wanted visible symbols of their new wealth and prestige. The frequent fires in old cathedrals were also a reason for constructing a new building, as with Chartres Cathedral, Rouen Cathedral, Bourges Cathedral, and numerous others. [2]
The flying buttresses matured, and after they were embraced at Notre-Dame de Paris and Notre-Dame de Chartres, they became the canonical way to support high walls, as they served both structural and ornamental purposes. The main body of Chartres Cathedral (1194–1260), Amiens Cathedral, and Bourges Cathedral are also representatives of the style.
The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...