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Many musicians prefer the Albert system because its unkeyed tone holes make slurred notes easier to play. The system is a derivative of the early 19th century 13-key system developed by Iwan Müller and is related to the more advanced Oehler system used by most German and Austrian clarinettists.
A Flute method is a type of specific textbook-style pedagogy for learning to play the flute. It often contains fingering charts, scales , exercises, and occasionally etudes . These exercises are often presented in different keys in ascending order to aid in difficulty, known as methodical progression, or to focus on isolated aspects like ...
The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G 4 instead of F 4. [1] [2] Its standard range is F 4 to G 6. The alto is between the soprano and tenor in size, and is correspondingly ...
While there is no exact date that the alto flute was created, large flutes have existed for several hundred years. [1] Some problems with early alto flute design included the long length of the tube, troublesome cross fingerings, inconsistent intonation, finger holes that were too wide across, and how far one’s arm had to be stretched in order to reach the finger holes, particularly in the ...
A careful examination of the flute fingering for the notes D ♯ 6 through G ♯ 6 reveals that they are actually a combination of third and fourth harmonic fingerings. For example, the D ♯ fingering is like the low D ♯ 4 with the addition of the G ♯ key vented, for which D ♯ 6 is the third harmonic.
In the 1930s, an 11-hole, fully chromatic version of the dizi was created called the xindi (新笛), pitched in the same range as the western flute. However, the modified dizi's extra tone holes prevent the effective use of the membrane, so this instrument lacks the inherent timbre of the traditional dizi family.
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