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Børning: The Fast & The Fønniest, or simply Børning, is a 2014 Norwegian action-comedy film directed by Hallvard Bræin, written by Linn-Jeanette Kyed (born 06.01.1981 Ulefoss, Norway), from a story by Christopher Grøndahl (born 15.11.1969 Oslo, Norway) and based on an idea by Hallvard Bræin, and produced by Filmkameratene.
The film was the subject of many protests from gay rights activists who accused the film of being homophobic and resorting to hateful stereotypes of lesbians. [4] David Denby attacked the film, writing "Windows exists only in the perverted fantasies of men who hate lesbians so much they will concoct any idiocy in order to slander them." [5]
Jeremy Danial Boreing (born February 5, 1979) is an American political activist, producer, director, screenwriter, and commentator. He is a founder, contributor, and co-chief executive officer at the conservative news and opinion website The Daily Wire.
Windows on the World is a 2019 American drama film directed by Michael D. Olmos and starring Ryan Guzman and Edward James Olmos. The title of the film refers to the namesake restaurant that used to exist in the top floors of the North Tower of the World Trade Center until it was destroyed in the September 11 attacks.
The untitled film was previously scheduled to open two weeks after “Avengers: Doomsday” (May 1) and a week prior to “Star Wars” spinoff “The Mandalorian and Grogu” (May 22).
YouTube Movies & TV is a video on demand service that offers movies and television shows for purchase or rental, depending on availability, along with a selection of movies (encompassing between 100 and 500 titles overall) that are free to stream, with interspersed ad breaks. YouTube began offering free-to-view movie titles to its users in ...
Everything Sucks! is an American comedy-drama television series created by Ben York Jones and Michael Mohan. [1] The series is set in the real-life town of Boring, Oregon in 1996, and focuses on a group of teenagers who attend the fictional Boring High School as they proceed to make a movie together while dealing with issues such as finding their sexualities, mental health, and growing up.
S.F.W. received negative reviews from critics. [3] [4] In a one-star review, critic Roger Ebert said "the film is intended as a satirical attack on the cult of celebrity", but its central figure is "the most singularly stupid, obnoxious character I've seen on the screen in many a day - which would be promising, if he were not boring, as well."