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The time signature 4 4: four beats per measure, each beat a quarter note (a crotchet) in length. 4 4 is often written on the musical staff as . The symbol is not a C as an abbreviation for common time, but a broken circle; the full circle at one time stood for triple time, 3 4. comodo
In Java, the term "dakon stone" refers to the similarly pitmarked stones from the bronze-iron age period of Indonesia. These stones have rows of 4 or 5 cup-shaped holes (called "cupules" in archaeology) and two holes at each end, a formation which has much in common with that of congklak. This prehistoric dakon stones is unrelated to the game ...
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
Congklak is a traditional game known by various names, on the Indonesian archipelago. The most common name, congklak, is taken from cowrie shell, which is commonly used to Playing Congklak. In Java, the games is known as congklak, dakon, dhakon, or dhakonan.
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
Congklak, a mancala game played in Indonesia, Malaysia and Philippines. Although the origin is obscure, the oldest tradition of similar game can be traced to Javanese dakon with pitmarked stones from the bronze-Iron Age period of Indonesia.
The Directory of Tunes and Musical Themes used the contours of a melody, avoiding the need for transpositions (which involves some musical knowledge). Using the letters U, D and R to denote up, down and repeat, and an asterisk for the first note, “God Save the Queen” comes out as *RUDUU URUDDD UDDU.
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...