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Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
Various items in Aomori Prefecture featuring kogin-zashi patterns. Kogin-zashi (こぎん刺し) is one of the techniques of sashiko, or traditional Japanese decorative reinforcement stitching, that originated in the part of present-day Aomori Prefecture controlled by the Tsugaru clan during the Edo period (1603-1867).
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Quilting in Japan, until the 20th century, generally covered local bast fibers with more valuable cotton cloth. The rectangular nature of Japanese cloth articles encouraged rectangle-based patterns. [23] Sashiko stitching has now also developed purely decorative forms.
Echo quilting, where a quilted outline of the appliqué pattern is repeated like ripples out to the edge of the quilt, is the most common quilting pattern employed on Hawaiian-style quilts. Beautiful examples are held in the collection of the Bernice Pauahi Bishop Museum , Honolulu, Hawaii.
The term is derived from the Japanese term "boroboro", meaning something tattered or repaired. [2] The term 'boro' typically refers to cotton, linen and hemp materials, mostly hand-woven by peasant farmers, that have been stitched or re-woven together to create an often many-layered material used for warm, practical clothing.
More widely known sashiko is a more decorative form of boro, and is characterized by geometric patterns. [9] These elements include fish scales, diamonds, mountains, bamboo, leaves, arrows, pampas grass, and shippo-tsunagi (a pattern consisting of interlocking geometric shapes symbolizing the "seven treasures").
Similar aesthetics began to show up in crazy quilts, including unique patterns, and stitching that resembled spider webs and fans. [ 2 ] Crazy quilting rapidly became a national fashion amongst urban, upper-class women, who used the wide variety of fabrics that the newly industrialized 19th century textile industry offered to piece together ...
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