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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
African art describes modern and historical paintings, sculptures, installations, and other visual cultures from native or indigenous Africans and the African continent.The definition may also include the art of the African diasporas, such as art in African-American, Caribbean or South American societies inspired by African traditions.
The British administration also introduced a Western system of education, with Gordon Memorial College for higher learning and Art Education in schools, and a School of Design opened in 1945.This is regarded as the start for the development of modern art in Sudan, and painting or sculpture in the Western sense began to take roots. [30]
Central Zimbabwe contains the "Great Dyke" – a source of serpentine rocks of many types including a hard variety locally called springstone.An early precolonial culture of Shona peoples settled the high plateau around 900 AD and “Great Zimbabwe”, which dates from about 1250–1450 AD, was a stone-walled town showing evidence in its archaeology of skilled stone working.
Nnenna Okore listen ⓘ (born 1975 in Canberra, Australia) is an Australian-born Nigerian artist who lives and works in Chicago at North Park University, Chicago. [1] [2] Her largely abstract sculptural forms are inspired by richly textured forms and colours within the natural environment. [3]
Mbari is a visual art form practiced by the Igbo people in southeast Nigeria consisting of a sacred two- story house constructed as a propitiatory rite. [1] Mbari houses of the Owerri -Igbo, which are large opened-sided square planned shelters contain many life-sized, painted figures (sculpted in mud to appease the Alusi (deity) and Ala , the ...
In comparing them to other better-known African stone sculpture, for example from the Yoruba culture, Philip Allison, writing in 1968, stated "The stone sculptures of Rhodesia are few in number and of no great aesthetic distinction, but Zimbabwe itself has a place of peculiar importance in the study of African cultures". [6]