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IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
"Anti-Hero" is a song by the American singer-songwriter Taylor Swift and the lead single from her tenth studio album, Midnights (2022). Swift wrote and produced the song with Jack Antonoff . It is a pop rock and synth-pop song driven by a 1980s-inspired drum loop generated with a LinnDrum and retro synthesizers such as the Juno 6 and the ...
Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
The first of Taylor Swift's Midnights' music videos is here, just 8 hours after the album's release. True to her schedule, Swift released “Anti-Hero” at 8 A.M. this morning. Watch the video here.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
However, “Anti-Hero” and “Texas Hold ‘Em” would just about make the grade. The Beatles “Hey Jude,” would though, be too slow, as would the grandiose Russian national anthem, which is ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...