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The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Walter Scott describes romance as a "kindred term", [3] and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo". [4] There is a second type of romance, genre fiction love romances, where the primary focus is on love and marriage. [5]
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
Romantic fiction primarily focuses on a love story between two people, usually with an optimistic, emotionally satisfying ending. [1] Also Romance (literary fiction) – works that frequently, but not exclusively, takes the form of the historical romance. Amish; Chivalric. Fantasy: One example is The Princess Bride. Contemporary. Gay; Lesbian ...
The Four Ages of Poetry", an essay of 1820 by Thomas Love Peacock, was both a significant study of poetry in its own right, and the stimulus for the Defence of Poetry by Shelley. [ 1 ] Setting and tone
The word "love" can have a variety of related but distinct meanings in different contexts. Many other languages use multiple words to express some of the different concepts that in English are denoted as "love"; one example is the plurality of Greek concepts for "love" (agape, eros, philia, storge). [8]
Sentimentalism in philosophy and sentimentalism in literature are sometimes hard to distinguish. [citation needed] As the philosophical arguments developed, the literature soon tried to emulate by putting the philosophical into practice through narration and characters.
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."