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An image of Dike, the goddess of justice, overcoming Adikia appears in two archaic vase paintings. [2] The scene was also shown on the chest of Cypselus, in which Adikia was portrayed as a hideous, barbaric woman covered in tattoos being dragged by Dike with one hand, while in the other she held a staff which she beat her with or she is depicted being throttled by Dike.
The blindfold was originally a satirical addition intended to show Justice as blind to the injustice carried on before her, [7] but it has been reinterpreted over time and is now understood to represent impartiality, the ideal that justice should be applied without regard to wealth, power, or other status.
Whether you call it the clenched fist, Black Power fist, BLM fist, or solidarity fist, one thing is clear: it’s used as a symbol of Black pride, solidarity, and dedication to fighting injustice.
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e] [s 1] The ...
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
Injustice is a quality relating to unfairness or undeserved outcomes. The term may be applied in reference to a particular event or situation, or to a larger status quo. In Western philosophy and jurisprudence, injustice is very commonly—but not always—defined as either the absence or the opposite of justice. [1] [2] [3]
The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, [1] is a memorial to commemorate the black victims of lynching in the United States.
By projecting all three images onto a screen simultaneously, he was able to recreate the original image of the ribbon. #4 London, Kodachrome. Image credits: Chalmers Butterfield