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Selmer Paris sold less-expensive clarinets under the names Barbier, Bundy (Paris) and Raymond until ca. 1935, after which they focused exclusively on professional clarinets. Note: Selmer Paris harmony clarinets (sizes other than B♭ and A soprano clarinet) are mostly called by their model number rather than a name, but there are, for example ...
The Buescher company also produced some flutes and clarinets between 1910 and 1920, the Saxonette (also known as the "clariphon" and the "claribel"), a clarinet with a curved metal barrel and a curved metal bell pitched in A, B ♭, C or E ♭. They were produced with the Albert system, and later with the Boehm system. Gretsch and Supertone ...
Some horns built from extra parts or reconfigured bear an X on the serial number on the second valve casing, others had a digit added to the original serial number. In some cases, the same serial number exists on another horn. [8] After WWII, Bach was similarly creative in the first years with manpower and material shortages.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
Many are now in museums, but some are in private collections or can be found for sale. In addition to the instruments made in France, Selmer's "Bundy" and "Signet" lines of student instruments (made in the U.S.) each included a Mazzeo model. The differences between a Boehm system clarinet and a Mazzeo system clarinet are
From Nicole Kidman’s erotic thriller “Babygirl,” to a book of sexual fantasies edited by Gillian Anderson, this was the year the female sex drive took the wheel in popular culture.
In this September 7, 1993, photo, President Bill Clinton and Vice President Al Gore present a report on increasing government efficiency as part of Clinton's charge of "reinventing government."
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.