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The Allegory of Prudence (c. 1550–1565) is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads (from left to right, a wolf, a lion and a dog). It is in the National Gallery, London. [1]
The Three Ages of Man (Italian Le tre età dell'uomo) is a painting by Titian, dated between 1512 and 1514, and now displayed at the Scottish National Gallery in Edinburgh. . The 90 cm high by 151 cm wide Renaissance art work was most likely influenced by Giorgione's themes and motifs of landscapes and nude figures—Titian was known to have completed some of Giorgione's unfinished works after ...
The Virgin and Child with Saints Stephen, Jerome and Maurice (French: La Vierge à l' Enfant avec saint Étienne, saint Jérôme et saint Maurice), also called the Virgin with Three Saints, is a religious painting by Titian, from c. 1510-1525.
Within it are Bible verses about family that are helpful for every stage of life: childhood, adolescence, adulthood, middle age, and old age. Every family member can find some nugget of wisdom to ...
Allegorical interpretation of the Bible is an interpretive method that assumes that the Bible has various levels of meaning and tends to focus on the spiritual sense, which includes the allegorical sense, the moral (or tropological) sense, and the anagogical sense, as opposed to the literal sense.
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Prudence (Latin: prudentia, contracted from providentia meaning "seeing ahead, sagacity") is the ability to govern and discipline oneself by the use of reason. [1] It is classically considered to be a virtue , and in particular one of the four cardinal virtues (which are, with the three theological virtues , part of the seven virtues ).
Holy Family with a Shepherd is an oil on canvas painting by Titian, from c. 1510. It is held in the National Gallery, in London. It has also previously been attributed to Anthony van Dyck, who produced a drawing copying it. After passing through other private collections, it was bequeathed to the National Gallery by William Holwell Carr in 1831.