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The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
The Jacquard machine (French:) is a device fitted to a loom that simplifies the process of manufacturing textiles with such complex patterns as brocade, damask and matelassé. [3] The resulting ensemble of the loom and Jacquard machine is then called a Jacquard loom .
The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles , but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Inspired by the draped garments of antiquity, Madeleine Vionnet created the cowl neckline in the 1920s using the bias cut technique that she helped to popularize. [3] The cowl neck enjoyed the peak of its popularity in the 1930s. [1] Cowl neck sweaters were popular in the 1970s. [4] Dresses of the disco era also frequently had cowl necks. [5]
Further styles include naala jaal which involves embroidery particularly on the neckline and chest/yoke: naala means neck in the Koshur dialect of Kashmiri language; jaama is a very dense embroidery covering the whole base fabric with a thick spread of vine/creepers and flowers, badaam and heart shapes, a variation of this form is neem-jaama ...
Often based on tree of life imagery, curving branches with large flowers were a typical design. Early crewel embroideries exclusively used wool thread on linen (modern crewel embroidery encompasses a broader range with the only requirement being extensive use of crewel stitch variations).
A cowl is an item of clothing consisting of a long, hooded garment with wide sleeves, often worn by monks. It was developed during the Early Middle Ages . The term may have originally referred to the hooded portion of a cloak , though contemporary usage refers to an entire closed garment.
Illustration of a stool cover with a slip of borage worked in tent stitch on canvas and then applied to a velvet ground, Hardwick Hall, early 17th century. [1]In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem.
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