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The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
Serbian folk music (Serbian: српска народна музика / srpska narodna muzika) refers to, in the narrow sense, the "older" style of Serbian folk music, predating the "newer" (Serbian: новокомпонована / novokomponovana, "newly composed") style which emerged in the 1970s and 1980s as a result of urbanisation.
Sunašce jasno [2] Branko Radičević: Đački rastanak [3] Branko Radičević: Bosna [1] Branko Ćopić: Una, rijeka zavičajna [1] Branko Ćopić: Pjesma mrtvih proletera [3] Бранко Ћопић: Branko Ćopić: Grob u žitu [3] Branko Ćopić: Zapis o zemlji [2] Vasko Popa: Kosovo polje [2] Vasko Popa: Kosovska pesma [2] Vasko Popa ...
Besides his long career in Yugoslavia, he made significant career performing in Soviet Union. He released 5 albums between 1959 and 1982: Muzika za igru (1959), Mustafa (1961), Prijatelji Zdravo (1967), Hvala vam prijatelji (1979) and Dvadeset nikad više (1982). Mihailo Živanović (first left) and world-renowned clarinetist Tony Scott (first ...
Starogradska muzika (Bulgarian, Macedonian and Serbian: староградска музика; literally "old town music") is a kind of urban traditional folk music found in Bulgaria, North Macedonia and Serbia.
The first part of the album Trilogija (Trilogy), Trilogija 1: Nevinost bez zaštite (Trilogy 1: Virginity without Protection) was released in 2005, and the second and the third, Trilogija 2: Devičanska ostrva (Trilogy 2: Virgin Islands) and Trilogija 3: Ambasadori loše volje (Trilogy 3: Badwill Ambassadors) were released in 2006. [31]
Ocean Software Ltd was a British software development company that became one of the biggest European video game developers and publishers of the 1980s and 1990s.. The company was founded by David Ward and Jon Woods and was based in Manchester.
The term Nova srpska scena (New Serbian Scene) was coined in the second half of the 2000s by the web magazine Popboks, which was initially one of the main promoters of the scene. [61] Although the term was mostly used to denote bands promoted in Popboks and released their albums through the record label Odličan Hrčak, [ 62 ] [ 63 ] the term ...