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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Form is a three-dimensional object with volume of height, width and depth. [2] These objects include cubes, spheres and cylinders. [2] Form is often used when referring to physical works of art, like sculptures, as form is connected most closely with those three-dimensional works. [5]
"depth") is a literary term, first used in this sense in Alexander Pope's 1727 essay "Peri Bathous", [1] to describe an amusingly failed attempt at presenting artistic greatness. Bathos has come to refer to rhetorical anticlimax , an abrupt transition from a lofty style or grand topic to a common or vulgar one, occurring either accidentally ...
It is often used merely to designate a genre or for patterns of meter lines and rhymes. For example, the subject of these two artworks is a bird, though both artworks are created in different styles. One is a two-dimensional artwork of two birds resting on a tree branch, created in a natural style, with realistic proportions.
Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context.
The Wikipedia Manual of Style does not touch on art movements and styles in particular, but Wikipedia:Manual of Style/Capital letters states that Wikipedia style is to use lower case when sources are inconsistent. See also the Association of Art Editors Style Guide, 2013
One example would be its work in its applied sciences lab on a Star Trek holodeck-esque magic wall (Microsoft must have read this article by fellow Fool Jim Mueller). Another would be Microsoft ...
The art historian Jennifer Raab of Yale University describes it as inherently contradictory: "it can delineate difference or emphasize unity". [2] She furthers that "the detail always points away from itself to something else–to other parts of a picture, to the work of art as a whole".