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"Tom & Gerri" is the third episode of British dark comedy anthology series Inside No. 9. It premiered on BBC2 on 19 February 2014. The episode was based on a play that Steve Pemberton and Reece Shearsmith had written while living together prior to the development of their series The League of Gentlemen.
Inside No. 9 is a British black comedy anthology television programme written and created by Steve Pemberton and Reece Shearsmith. It aired on BBC Two from 5 February 2014 to 12 June 2024, running for 9 series and 55 episodes. Each 30-minute episode is a self-contained story with new characters and a new setting, almost all starring Pemberton ...
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youtube-dl -o <path> <url> To see the list of all of the available file formats and sizes: youtube-dl -F <url> The video can be downloaded by selecting the format code from the list or typing the format manually: youtube-dl -f <format/code> <url> The best quality video can be downloaded with the -f best option.
Inside No 9 crams more ideas into each 28-minute episode than lesser shows manage in an entire series. When the credits roll for the last time tonight, the prolific pair will have written and ...
Inspiration for "The Bill" came when Shearsmith and Pemberton, the creators of Inside No. 9, saw a group arguing over a bill at a Muswell Hill restaurant. [11] [12] The writers had an office in the area, and had lunch at the same restaurant every day while writing the programme's third series. The group was made up of three older people: two ...
"Empty Orchestra" is the fourth episode of the third series of the British dark comedy anthology television programme Inside No. 9. Written by Steve Pemberton and Reece Shearsmith and directed by Guillem Morales, the episode was first shown on 7 March 2017, on BBC Two.
"Diddle Diddle Dumpling" was the Inside No. 9 producer Adam Tandy's favourite episode of the series, [6] while Pemberton considered it one of the best. [5] Shearsmith identified David as one of his favourite characters from the series, and said that he fondly remembered working with Hawes, whom he praised as a performer. [ 14 ]