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"Give Me a Reason" is a song by Irish pop rock group the Corrs. It was released in February 2001 as the third single taken from their third studio album In Blue (2000). The song was written and produced by the Corrs. "Give Me a Reason" is a dance-pop song, and received favourable reviews from music critics. The song reached number 27 in the ...
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
"Meaning of Life" was written by James Morrison with Ilsey Juber and Jesse Shatkin, who produced the track. [2] A doo-wop soul pop and R&B song, [3] [4] [5] it sings of learning the "meaning of life", during which the singer confesses the loneliness she's been feeling but her love is what brings her to life, showing her the light. [5]
"Just Give Me a Reason" is a pop ballad [7] written by both artists and produced by Jeff Bhasker, who was also the lead producer for Some Nights, the second album from Ruess' band, fun. "Just Give Me a Reason" starts off with a simple melody played on the piano, as Pink starts to sing the first stanza and chorus, the latter of which introduces ...
"Give Me a Reason" is a song by Dutch duo The Common Linnets (Ilse DeLange and Waylon), it was released as the second single from their debut studio album The Common Linnets (2014). The song was released in the Netherlands as a digital download on 11 September 2014 through Universal Music Group .
"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World".
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There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).