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is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." [3] (Later, Tommy's life changes when he receives a pinball machine and eventually becomes the "Pinball Wizard ...
The one cover song on Tommy, "Eyesight to the Blind", may have been included to introduce the character of the acid queen. [1] Tommy's parents take Tommy to the Acid Queen to see if her "lascivious attentions" can cure Tommy of his ills. [2] However, she is unsuccessful in awakening him. [2]
Mr Walker, in a desperate attempt to reach his son, shouts "Tommy, can you hear me?" multiple times. Older Tommy, only visible to young Tommy, who persistently stares at the mirror, sings to him ("See Me, Feel Me"). The Walkers leave Tommy with a slew of vicious babysitters, including alcoholic and sexually abusive Uncle Ernie ("Do You Think It ...
On 'I'm Free', me and Pete had to play the drums and Keith played the breaks because he couldn't get the intro. He was hearing it differently from how we were, and he couldn't shake it off. So we put down the snare, the hi-hat and the tambourine part and he came in and added all the breaks.
In English, objects and complements nearly always come after the verb; a direct object precedes other complements such as prepositional phrases, but if there is an indirect object as well, expressed without a preposition, then that precedes the direct object: give me the book, but give the book to me.
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. [2] Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
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"Tommy Can You Hear Me" had a longer outro with Roger Daltrey repeating the word "Tommy" before Keith Moon screams "'Ello!" to end the song. The soundtrack album did well in the US where it peaked at No. 8 on the Billboard albums chart and went platinum, while it peaked at No. 26 on the UK charts.