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Fludd (band), a Canadian rock band prominent in the 1970s; Fludd, a novel by Hilary Mantel; F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device), a water jet used as the protagonist's main weapon in the GameCube game Super Mario Sunshine
Fludd was a Canadian rock band in the 1970s. They placed six singles in the Canadian top 40 between 1971 and 1975, including "Turned 21" (1971), "Get Up, Get Out & Move On" (1971), "Cousin Mary" (1973) and "What An Animal" (1975). [1] [2] Members of Fludd went on to form the successful Canadian chart groups Goddo and Saga.
"Floods" is a song by American heavy metal band Pantera from their 1996 album The Great Southern Trendkill. A ballad, it is the longest song on the album and the third-longest song the band has recorded, after "Cemetery Gates" (7:03) and "Hard Lines, Sunken Cheeks" (7:01).
No one can count all the songs about driving and cars, so no list can be complete. We got dozens of suggestions, so for July 4, and the rest of the summer, here are 24 more ideas:
On August 23, The group name was announced as Empire. By September 28, all members of the group had been revealed. The group's first song "Empire is Coming" was released on October 6, the song was later featured on WACK & Scrambles Works. [2] Empire's first album, The Empire Strikes Start!!, was released on April 11, 2018. [3]
Empire: Original Soundtrack Season 2 Volume 2 is the third soundtrack album by the cast of the musical drama television series Empire which airs on Fox. The album includes songs that featured during the second season of the show. It was released on April 29, 2016. The Soundtrack was Recorded & Mixed at Periscope Post & Audio in Chicago, IL.
"Flood" is a song written and performed by American Christian rock band Jars of Clay. It is considered [by whom?] to be their breakthrough song due to airplay on contemporary Christian music and alternative rock radio stations, two radio formats which rarely intersect. [3]
The Linc wrote, "The soundtrack to the film is also a bonus for avid music fans, including songs from The Smiths, David Bowie and Sonic Youth that suited the film being based in the ’90s." [ 27 ] In a contrasting review, Rex Reed of Observer wrote, "The soundtrack is so drenched in bubblegum pop that it sounds like an iTunes library". [ 28 ]