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Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
"Crossword Puzzle" was released as a single on MCA Records in September 1984. It was backed on the B-side by the song "If It's Not One Thing It's Another". The track was issued by the label as a seven inch vinyl single. [4] The single spent 20 weeks on America's Billboard country songs chart, peaking at number 11 by December 1984. [5]
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [31] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
[11] Currently, every other week is an acrostic puzzle authored by Emily Cox and Henry Rathvon, with a rotating selection of other puzzles, including diagramless crosswords, Puns and Anagrams, cryptics (a.k.a. "British-style crosswords"), Split Decisions, Spiral Crosswords, word games, and more rarely, other types (some authored by Shortz ...
This article is based on interviews with Florence Kopleff, who was a member of the Robert Shaw Chorale throughout its existence and served as administrative assistant to Mr. Shaw; and on recollections of John W. Cooledge, a member of the Atlanta Symphony Orchestra Chorus and Chamber Chorus, and of the Robert Shaw Chamber Singers throughout the existence of that group.
In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name.
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