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Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
The Baroque architecture period began with the creation of the basilica with crossed dome and nave.One of the first Roman structures to move away from the Mannerist conventions, like the Church of the Gesù, was the church of Church of Saint Susanna, designed by Carlo Maderno in 1596.
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This timeline shows the periods of various architectural styles in the architecture of Italy. Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture. [1]
Church of the Gesu: Rome, Italy 1568–1580 Giacomo Barozzi da Vignola, Giacomo della Porta: Santa Susanna: Rome, Italy 1585–1603 Carlo Maderno: Saints Peter and Paul Church: Kraków, Poland 1597–1619 Giovanni Maria Bernardoni, Giovanni Trevano: Wallenstein Palace: Prague, Czech Republic 1623–1630
Complex in form and ornate with sculpture, the baldacchino serves as a great example of the Baroque ‘style’, massive and ornate, glorifying the church and the Catholic religion. This space is an example of quadratura, an attempt to create an illusion through architecture, painting, and sculpture. Painting and sculpture create an illusion of ...
It passed into the church architecture of the Roman world and was adapted in different ways as a feature of cathedral architecture. [ 11 ] The earliest large churches, such as the cathedral of St John Lateran in Rome, consisted of a single-ended basilica with one apsidal end and a courtyard, or atrium , at the other end.
The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation. The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not the mass of churchgoers.