Search results
Results from the WOW.Com Content Network
These machines follow different synthesis approaches. The K4 use subtractive synthesis based on sampled waveforms, the K1 and K5 are additive synthesizers. The K1 is one of the first popular synthesizers that has no filter whatsoever; all sounds are made by stacking wave samples and applying frequency modulation. The K3 is hybrid in the sense ...
An electronics repair kit including different resistors. Professionals who repair and maintain electronic equipment may have a kit containing a soldering iron, wire, and components such as transistors and resistors. In medicine, a repair kit consisting of a plug and plastic mesh may be used during inguinal hernia surgery. A particular trade may ...
The Kawai XD-5 is a percussion synthesizer based on the Kawai K4 sample playback (but uses 16-bit 44.1 kHz sample rate as opposed to 32 kHz ) [6] [7] with filter and AM amplifier modulation synthesis architecture.
Mechanical music technology is the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, play back or record songs or pieces; or to analyze or edit music. The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to ...
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
The Kawai K1 is a 61 key synthesizer manufactured in 1988 [3] by Kawai.It is an entry-level [4] and low fidelity synthesizer and not as feature rich as the Kawai K4 and was released to compete with the Roland D50 and Korg M1 synthesizers.
Fourth, "the condition of the instrument is such that an accurate achievement of its original quality of function is unlikely." Lastly, if "the function is so well understood that no new information is likely to be gained." [22] Functional restoration does not always align with the ethics and standards of practice of conservation-restoration.
The Kawai R-100 is drum machine released in 1987. [2] The R-100 is the bigger brother of the R-50 and having velocity sensitive pads unlike the R-50. It has 24 on board samples that are 12-bit PCM format with a sample rate of 32kHz [3] and eight individual outputs as well as stereo and mono outputs for routing to an external mixing desk.