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Oscillator sync is a feature in some synthesizers with two or more VCOs, DCOs, or "virtual" oscillators. As one oscillator finishes a cycle, it resets the period of another oscillator, forcing the latter to have the same base frequency .
Main frequency (10 bits) Octave (3 bits) Note on/off; Synthesis mode (FM or just additive) Feedback (0–7, the modulator modulating itself) For each one of the two oscillators: Frequency multiply (can be set to 1 ⁄ 2, 1 to 10, 12 or 15) Waveform (Sine) Volume (0–63, logarithmic) Attack, decay, sustain, release (4 bits each, logarithmic ...
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OSC is a content format developed at CNMAT by Adrian Freed and Matt Wright comparable to XML, WDDX, or JSON. [6] It was originally intended for sharing music performance data (gestures, parameters and note sequences) between musical instruments (especially electronic musical instruments such as synthesizers), computers, and other multimedia devices.
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Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal.