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In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4]
Revelation 19 is the nineteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] [ 2 ] but the precise identity of the author remains a point of academic debate. [ 3 ]
Some of the language used in Revelation 1 is also used in Revelation 19 to describe the Rider on the White Horse. In both places, he has a sword coming out of his mouth (1:16 and 19:15) and has "eyes like blazing fire" (1:14 and 19:12). The sword proceeding from Jesus’ mouth describes the counterintuitive way God's messiah conquers: by the ...
Church of Jesus Christ of Latter Day Saints view. The period involved is from 4000 B. C. to 3000 B. C. "It extends from after the fall of Adam, which according to the Ussher chronology was 4004 B.C., to shortly after the translation of Enoch and his city in 3017 B.C." [22] The white horse is an emblem of victory. The bow is an emblem of war ...
A "white horse, whose rider is called Faithful and True" is introduced. "With Justice he makes war" (Revelation 19:11). Jesus Christ is the rider mentioned in chapter twelve. John references Psalm 2:9 when he writes "He will rule them with an iron scepter" (Revelation 19:15). This is when the first war between the people of God and the rest of ...
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Death on the Pale Horse; F. The Fall ...
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
The icon depicts Jesus, vested in white and gold to symbolize his divine majesty, standing on the brazen gates of Hades (also called the "Doors of Death"), which are broken and have fallen in the form of a cross, illustrating the belief that by his death on the cross, Jesus "trampled down death by death" (see Paschal troparion).