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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The first instance of the lamb figure is the drawing in the Louvre (inv. no. RF 460), which shares many similarities with his Study for the Madonna of the Cat (1479–1480): in both cases, the animal is placed in the arms of Christ, who is himself on his mother's lap. [61]
The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim. The dove is the Holy Spirit, and the four animals that St. John saw in Heaven [3] are used as personifications of the Four Evangelists.
The lamb and the lion as they appear on a pub signboard in Bath, England "The lamb with the lion" – often a paraphrase from Isaiah, and more closely quoted as "the lion and lamb", "a child will lead them", and the like – are an artistic and symbolic device, most generally related to peace.
Before the throne is a slain lamb, "having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth". [10] The lamb's seven horns are represented by seven spikes fanned above his corpse, while the seven cherubic heads beneath him allude to the "seven Spirits of God". Each cherub is crowned by a tongued flame ...
Lamb bleeding into the Holy Chalice, carrying the vexillum Adoration of the Mystic Lamb, with gushing blood, detail of the Ghent Altarpiece, Jan van Eyck, c. 1432. The title Lamb of God for Jesus appears in the Gospel of John, with the initial proclamation: "Behold the Lamb of God who takes away the sin of the world" in John 1:29, the title reaffirmed the next day in John 1:36. [1]
Agnus Dei (Latin for Lamb of God) is an oil painting completed between 1635 and 1640 by the Spanish Baroque artist Francisco de Zurbarán. It is housed in the Prado Museum in Madrid , Spain. The Lamb of God is an allusion to Christ's title as recorded in John's Gospel (John 1:29), where John the Baptist describes Jesus as "The Lamb of God who ...
The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had "two mothers" himself. In both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether Saint Anne is a full generation older than Mary.
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