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Sadequain was part of a broader Islamic art movement that emerged independently across North Africa and parts of Asia in the 1950s and known as the Hurufiyya movement. [13] Hurufiyah refers to the attempt by artists to combine traditional art forms, notably calligraphy as a graphic element within a contemporary artwork. [ 14 ]
Single folio from the Codex Parisino-petropolitanus, one of the earliest surviving Qurans, probably Mecca or Medina, 7th or 8th century AD. The collection of complete Qurans and individual folios includes 98 from before 1000 AD, [20] 56 from 1000 to 1400, [21] 60 from 1400 to 1600, [22] and more than 150 from after 1600. [23]
Qajar art was the architecture, paintings, and other art forms produced under the Qajar dynasty, from 1781 to 1925, in Iran . The boom in artistic expression that occurred during the Qajar era was a side effect of the period of relative peace that accompanied the rule of Agha Mohammad Khan and his descendants.
Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. [2] Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque.
T. W. Arnold (1864–1930), an early historian of Islamic art, stated that "Islam has never welcomed painting as a handmaid of religion as both Buddhism and Christianity have done. Mosques have never been decorated with religious pictures, nor has a pictorial art been employed for the instruction of the heathen or for the edification of the ...
A Muslim painter is a Muslim that is or was engaged in painting or drawing. This is an incomplete list of notable Muslim painters. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Dioscorides' treatise was considered especially important, and remains one of the best examples of manuscript translation and illustration produced by the Baghdad School. [2] Dioscorides was a renowned Greek physician, herbalist, and pharmacist serving the Roman Empire and its armies during the first century CE, whose work gained influence ...
The dominant tradition of miniature painting in the late Middle Ages was that of Persia, which had a number of centres, but all usually dependent on one key patron, whether the shah himself, or a figure either governing a part of the country from a centre such as Herat, where Baysunghur was an important patron in the early 15th century, or the ruler of a further part of the Persianate world in ...
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