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Active painters are therefore underrepresented, while more than half of the artists are baroque painters of the 17th century, roughly corresponding to the Dutch Golden Age. The names of older artists often have many different spellings; the preferred spelling is used as listed in the Netherlands Institute for Art History [4] database, but ...
It quickly became a classic standard work for generations of young Dutch and Flemish artists in the 17th century. The book advised artists to travel and see the sights of Florence and Rome, and after 1604 many did so. However, it is noticeable that the most important Dutch artists in all fields, figures such as Rembrandt, Vermeer, Hals, Steen ...
This is an incomplete list of painters in the collection of the Rijksmuseum, with the number of artworks represented, and sorted by century of birth. For more information about the collection which comprises more than 3,000 paintings, see Rijksmuseum. More than 300 works are by unknown or anonymous painters, and though over 1,000 individual ...
Willem Claeszoon Heda (17th century): Breakfast with a Crab. Dutch painters, especially in the northern provinces, tried to evoke emotions in the spectator by letting the person be a bystander to a scene of profound intimacy. Portrait painting thrived in the Netherlands in the seventeenth century. Many portraits were commissioned by wealthy ...
17th; 18th; 19th; 20th; 21st; 22nd ... Pages in category "17th-century Dutch painters" The following 45 pages are in this category, out of 45 total.
The most famous Dutch men of letters of the 17th century were: Joost van den Vondel (1587–1679), poet and playwright, who wrote more than 30 plays, many of those based on biblical stories. After The Gijsbrecht (see above) his best known drama is Lucifer (1654). He translated many French, Italian, Latin and Greek works.
17th-century Dutch painters (1 C, 45 P) E. ... Pages in category "17th-century painters" The following 4 pages are in this category, out of 4 total.
Following a time-honoured tradition, many northern artists travelled to Italy in the 17th century. Flemish artists such as Jan Miel (1599–1664), Michael Sweerts (1618–1664), Anton Goubau (1616–1698) and Willem Reuter (c.1642–1681) went to Rome where they worked for a period of