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Discography Hitam Putih (2005–2006) In commemoration of the band's 10-year anniversary, 2005 saw the release of Tipe-X's fourth album, Discography Hitam Putih. "Kamu Ngga' Sendirian" served as the album's lead single, with "Mawar Hitam" following. In total, the album recorded over 120,000 sales. The Journey (2007–2008)
JKT48 Missions – "Trans 7" at 10:45, every Sunday, 23 June – 22 September 2013 (Hiatus) JKT48 Story – "RCTI" at 16:00, every Saturday, 31 August – 2 November 2013 (Hiatus) iClub48 – "NET." at 19:00 (1 November, 16:00), every Saturday – Sunday, 11 October 2014 – 14 March 2015. Yokoso JKT48 – "ANTV" at 09:00, every Sunday, 14 ...
List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
Eurycoma longifolia. Jack [ 1] Eurycoma longifolia (commonly called tongkat ali, pasak bumi, or longjack) is a flowering plant in the family Simaroubaceae. It is native to Indochina (Cambodia, Laos, Malaysia, Myanmar, Thailand and Vietnam) and Indonesia (the islands of Borneo and Sumatra), [ 2] but has also been found in the Philippines. [ 3]
The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chords whose roots descend in fifths from the second degree ( supertonic) to the fifth ...
4-27 / 8-27. In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1, ♭ 3, ♭ 5, ♭ 7). For example, the half-diminished seventh chord built on B, commonly ...
Quintal harmony (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from quartal harmony. Because of this relationship, any quartal chord can be rewritten as a quintal chord by changing the order of its pitches.
The Petrushka chord is defined as two simultaneous major triads separated by a tritone. In Petrushka, Stravinsky used C major on top of F ♯ major (the latter presented here in first inversion ): The device uses tones that, together, make up a synthetic hexatonic scale (0 1 4 6 7 t). When enharmonically spelled C–D ♭ –E–G ♭ –G ...