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The Ashtamangala ( Sanskrit: अष्टमङ्गल, romanized :Aṣṭamaṅgala) is a sacred suite of Eight Auspicious Signs featured in a number of Indian religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" ( Tibetan: ཕྱག་མཚན་, THL: chaktsen) are yidam and teaching tools. Not only do ...
Guilloché. Guilloché ( French: [ɡijɔʃe] ), or guilloche ( / ɡɪˈloʊʃ / ), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name. Engine turning machines may include the rose engine lathe and also ...
In ancient China, auspicious ornaments were often either embroidered or woven into textile and clothing. [1] They are also used on religious and ritual clothing (e.g. Daojiao fushi which is Taoist clothing [3] : 101 and Chinese Buddhist clothing) and in Xifu, Chinese opera costumes. [4] Auspicious symbols and motifs continue to be used in ...
Celtic art. The reverse side of a British bronze mirror, 50 BC – 50 AD, showing the spiral and trumpet decorative theme of the late "Insular" La Tène style. Muiredach's High Cross, Ireland, early 10th century. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to ...
Willow pattern. Illustration of the Willow pattern (1917). The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand ...
The arabesque developed out of the long-established traditions of plant-based scroll ornament in the cultures taken over by the early Islamic conquests. Early Islamic art, for example in the famous 8th-century mosaics of the Great Mosque of Damascus, often contained plant-scroll patterns, in that case by Byzantine artists in their usual style.
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