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The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska . According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
[90] [91] Faustina eventually found an artist (Eugene Kazimierowski) to depict the Divine Mercy image of Jesus with his right hand raised in a sign of blessing and the left hand touching the garment near his breast, with two large rays, one red, the other white emanating from near his heart.
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm ...
Jesus Christ Pantocrator (Detail from the deesis mosaic in Hagia Sophia, Istanbul) Christ Pantocrator in the dome of the Church of the Holy Sepulchre's catholicon. Church domes are a common site of Pantocrator images. In Christian iconography, Christ Pantocrator (Greek: Χριστὸς Παντοκράτωρ) [1] is a specific depiction of Christ.
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [ 1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of ...
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
The Last Supper ( Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The wounds. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear. The wounds around the head from the crown of thorns and the lash marks from the flagellation do not qualify ...
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