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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often depicted as ...
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
The Byzantine army was the primary military body of the Byzantine armed forces, serving alongside the Byzantine navy. A direct continuation of the Eastern Roman army, shaping and developing itself on the legacy of the late Hellenistic armies, [ 1] it maintained a similar level of discipline, strategic prowess and organization.
The following list starts with Constantine the Great, the first Christian emperor, who rebuilt the city of Byzantium as an imperial capital, Constantinople, and who was regarded by the later emperors as the model ruler. Modern historians distinguish this later phase of the Roman Empire as Byzantine due to the imperial seat moving from Rome to ...
Hoplitarchēs or archēgētēs – Commander of all infantry in a large army. The title first appeared in the mid-10th century, when the infantry was reorganized and gained in importance. Prōtokentarchos and kentarchos – Commanders of a smaller division of the army in the field. The name was derived from the Latin centurion.
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The conjoined representation of a crescent ...
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]