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In a 3 May 2008 interview with Michael Shelley of WFMU, Edwards recalled that after hearing Maxine Nightingale sing on the session for Al Matthews' "Fool" that track's producer Pierre Tubbs had come up with "Right Back Where We Started From" as a good title for a song for Nightingale herself to record and had invited Edwards to co-write the song.
Greatest Hits or Air Supply Greatest Hits is a greatest hits album by British-Australian soft rock duo Air Supply, released in August 1983. It spent one week on top of the Australian ( Kent Music Report) album chart and reached number seven on the Billboard 200. [ 1] The Jim Steinman -written and produced track "Making Love Out of Nothing at ...
Context and history. The song acts as "the film's central ballad". It is a lullaby in which Mary Poppins (Blunt) tells to the children Annabel (Davies), John (Saleh), and Georgie Banks (Dawson), whose mother died before the events of the film, about "the place where lost things go", and that their mother is there watching over them.
Jon Bon Jovi, at a Thank You, Goodnight: The Bon Jovi Story screening in NYC on April 25. (Theo Wargo/Getty Images) (Theo Wargo via Getty Images) Jon Bon Jovi has “no desire” to join the trend ...
This is a list of unmade and unreleased animated projects by Universal Pictures.Some of these projects were, or still are, in development limbo.These also include the co-productions the studio collaborated with in the past (i.e. Amblimation, Universal Animation Studios, Illumination Entertainment, and DreamWorks Animation) as well as sequels to their franchises.
Two versions of the music video exist. The original video featured the character "Billy", mentioned in the song, played by actor Gregory Sporleder. A second version of the video was released with the character's appearances edited out. The edited version appears on Crow's "Greatest Hits" music video DVD.
Carolina in the Morning. "Carolina in the Morning" is a popular song with words by Gus Kahn and music by Walter Donaldson, first published in 1922 by Jerome H. Remick & Co. [ 1] The song debuted on Broadway in the elaborate and risqué musical revue The Passing Show of 1922 at the Winter Garden Theater. [ 2] Vaudeville performers incorporated ...
—David Bowie, 1983 Pegg writes that the song "maintains a gravity absent from the rest of the album by virtue of its surprising bleakness". Containing an enigmatic sense of peril, the narrator invites his partner to dance, portrayed as a type of ceremonial engagement. Rather than dancing under a "lovers' moon", the two dance "under the moonlight"—a "serious moonlight". Although Bowie told ...