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Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canon of body proportion within a culture.
The drawing represents Leonardo's conception of ideal body proportions, originally derived from Vitruvius but influenced by his own measurements, the drawings of his contemporaries, and the De pictura treatise by Leon Battista Alberti. Leonardo produced the Vitruvian Man in Milan and the work was probably passed to his student Francesco Melzi ...
An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word canon (from Ancient Greek κανών (kanṓn) 'measuring rod, standard') was first used for this type of rule in Classical ...
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Cortical homunculus. A cortical homunculus (from Latin homunculus 'little man, miniature human' [ 1][ 2]) is a distorted representation of the human body, based on a neurological "map" of the areas and proportions of the human brain dedicated to processing motor functions, and/ or sensory functions, for different parts of the body.
File:Andrew Loomis, Figure Drawing for All It's Worth.pdf. Size of this JPG preview of this PDF file: 474 × 599 pixels. Other resolutions: 190 × 240 pixels | 380 × 480 pixels | 607 × 768 pixels | 810 × 1,024 pixels | 1,870 × 2,364 pixels. This is a file from the Wikimedia Commons.
Modulor. Commemorative Swiss coin showing the modulor. The Modulor is an anthropometric scale of proportions devised by the Swiss-born French architect Le Corbusier (1887–1965). It was developed as a visual bridge between two incompatible scales, the Imperial and the metric systems. It is based on the height of a man with his arm raised.
His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the Vitruvian Man by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own description [4] he served as an artilleryman, the third class of arms in the Roman military offices.
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