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Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer; Wiggle Wobble; Wild Weekend (instrumental) Wipe Out (instrumental) Wonderful Land; Wonderland by Night
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts. [note 1] Later in 1962, Meek produced a vocal version, "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with "The Wonderful Story of Love" on the B-side, written by Geoff Goddard.
"Mexico" is the title of a 1961 instrumental recording by American bassist, orchestra leader, and Rockabilly Hall of Fame member Bob Moore. The song was written by Boudleaux Bryant. Moore was a noted session musician in the 1950s and 1960s who worked with Elvis Presley, Pat Boone, Roy Orbison, and Brenda Lee, among others.
In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," [2] a song based on music used in an Alka-Seltzer television commercial. When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were not ...
"Nut Rocker" is an instrumental rock single recorded by American instrumental ensemble B. Bumble and the Stingers that reached number 23 in the U.S. Billboard Hot 100 in March 1962 and went to number 1 in the UK Singles Chart in May 1962. [3] It is a version of the march from Tchaikovsky's 1892 ballet The Nutcracker. [1]
It was Hirt's first and biggest hit on the US pop charts, reaching #4 on the Billboard Hot 100 on February 29, 1964 [2] and spending four weeks at #1 on the easy listening chart in early 1964. [3] The song was also featured on his greatest hits album, The Best of Al Hirt. [4] Hirt released a live version on his 1965 album, Live at Carnegie Hall.