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William Morris, 1834-1896: A Life of Art. Taschen. ISBN 9783836561631. Beecroft, Helen (2019). William Morris. Flame Tree Publishing. ISBN 978-1-78755-307-1. Fairclough, Oliver and Emmeline Leary, Textiles by William Morris and Morris & Co. 1861–1940, Birmingham Museums and Art Gallery, 1981, ISBN 0-89860-065-0
Batik painting is a development of traditional batik art, producing contemporary (free) motifs or patterns. It may use more colours that are traditional in written batik. [ 39 ]
Humanity and life lie at the intersection of the natural and the supernatural, according to the underlying Kuba myth. As a result, rectilinear lines in Kuba art depict natural patterns. Both in art and nature, these lines occasionally disrupt what we take to be geometric order. [5] The improvised patterns are mostly made using three methods:
The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
While plant use in textile art is still common today, there are new innovations being developed, such as Suzanne Lee's art installation "BioCouture". Lee uses fermentation to create a plant-based paper sheet that can be cut and sewn just like cloth- ranging in thickness from thin plastic-like materials up to thick leather-like sheets. [13]
Speelberg, Femke. "Fashion & Virtue: Textile Patterns and the Print Revolution, 1520–1620". Metropolitan Museum of Art Bulletin. New York: Metropolitan Museum of Art, 2015. Print. Perivoliotis, Margaret C. "The Role of Textile History in Design Innovation: A Case Study Using Hellenic Textile History". Textile history 36.1 (2005): 1–19. Web.
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