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The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
The Xiuhtotontli are gods of fire and alternative manifestations or states of Xiuhtecuhtli. Xiuhiztacuhqui, god of the white fire. Xiuhtlatlauhqui, god of the red fire. Xiuhcozauhqui, god of the yellow fire. Xiuhxoxoauhqui, god of the blue fire. Xiuhtecuhtli, related god of fire and time. His face is painted with black and red pigment.
Itztlacoliuhqui in the Codex Telleriano-Remensis. In Aztec mythology, Itztlacoliuhqui is the god of frost.He also represents matter in its lifeless state. The Nahuatl name Itztlacoliuhqui is usually translated into English as "curved obsidian blade".
In Aztec mythology, Xolotl (Nahuatl pronunciation: [ˈʃolot͡ɬ] ⓘ) was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. [2] He was also god of twins, monsters, death, misfortune, sickness, and deformities.
Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1]
He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire. The Spaniards recorded the deity's name as Huichilobos. During their discovery and conquest of the Aztec Empire, they wrote that human sacrifice was common in worship ceremonies. These took place frequently throughout the region.
The New Fire Ceremony (Spanish: Ceremonia del Fuego Nuevo) was an Aztec ceremony performed once every 52 years—a full cycle of the Aztec “calendar round”—in order to stave off the end of the world. The calendar round was the combination of the 260-day ritual calendar and the 365-day annual calendar.
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...