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The Virgin and Child with Two Angels is a panel painting by the Italian artist Cimabue in egg tempera on a poplar panel, dated to c. 1280. It has been held by the National Gallery in London since 2000. The painting measures 25.6 cm × 20.8 cm (10.1 in × 8.2 in).
There, only in the apse representing Christ and the Virgin Enthroned and the last of the Assisi frescoes, is there a frontal view. Even the students of Duccio and Giotto depicted thrones in this way for all of the 1290s and others, indicated as the representation of a frontal-view throne was a late achievement of Cimabue, found it only in this ...
Giovanni Cimabue (Italian: [tʃimaˈbuːe]), [1] c. 1240 – 1302, [2] was an Italian painter and designer of mosaics from Florence. He was also known as Cenni di Pepo [3] or Cenni di Pepi. [4] Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo ...
Cimabue portrayed the same subject of symmetry in his Santa Trinita Maestà (c. 1290, also Uffizi), also a Virgin and Child Enthroned, and both pieces share aspects of the Italo-Byzantine style, with Cimabue's having more Byzantine attributes. Additionally, the two depictions of the angels' wings in Giotto and Cimabue's pieces clearly resemble ...
The whole mosaic, including the figure of the Virgin, was only completed by a third artist, Vincino da Pistoia, in 1321, [2] almost 20 years after Cimabue's death. The attribution to Cimabue is possible due to documented weekly payments of 10 soldi to the artist. The work eventually went through four renovations and survived the fire of 1595.
It is also stylistically earlier to that work, being painted without pseudo-perspective, and having the angels around the Virgin simply placed one above the other, rather than being spatially arranged. The throne is similar to the Maestà painted by Cimabue in the Basilica of San Francesco di Assisi (1288–1292).
Cimabue's Maestà , Basilica of St. Francis in Assisi. The central panel of Duccio 's Maestà with Twenty Angels and Nineteen Saints (1308–1311), Museo dell'Opera del Duomo , Siena . Maestà [maeˈsta] , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus , the designation ...
His most popular painting is The Virgin and Child Enthroned. He was a Greek icon painter who attempted to escape the maniera greca. His icons exhibit qualities of both Venetian and Cretan styles. Exhibiting a more refined maniera greca, he eschews the simplicity of Duccio and Cimabue, and adds more space to his paintings. [1] [2] [3]