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Badfinger were a Welsh rock band formed in Swansea in 1961. Their best-known lineup consisted of Pete Ham (guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre.
Ass is the fifth studio album by British rock band Badfinger, and their last album released on Apple Records.The opening track, "Apple of My Eye", refers to the band leaving the label to begin its new contract with Warner Bros. Records.
Wish You Were Here is the seventh studio album by rock band Badfinger and their third consecutive album produced by Chris Thomas. It was recorded in the spring of 1974 at Colorado's Caribou Ranch and released in November of that year on Warner Bros. Records. Wish You Were Here was the second and last album the band released on the Warner Bros ...
"Baby Blue" was released as a single in the US on 6 March 1972, in a blue-tinted picture sleeve and featuring a new mix. [1] Because Al Steckler, the head of Apple US, felt that it needed a stronger hook in the opening, he remixed the track with engineer Eddie Kramer in February 1972, applying heavy reverb to the snare during the first verse and middle eight. [1]
First recorded by the rock group Badfinger, the song was composed by two of its members. Pete Ham wrote a song originally titled "If It's Love", but it had lacked a strong chorus. At the time of writing, the band shared residence with the Mojos at 7 Park Avenue in Golders Green. One evening, in the midst of the parties, songwriting, touring, in ...
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
A group demo version, played at the same tempo as Ham's acoustic demo, was recorded by Badfinger on 18 April 1970 [6] with Mal Evans producing. The song was recorded again in a rockier fashion, at a faster tempo, by the band in May 1970 at Abbey Road Studios, and it was this version that appeared on the album and single.
Roberts called it Badfinger's signature song. [11] Classic Rock critic Rob Hughes rated it as Badfinger's 3rd greatest song, saying that the band "added lustrous three-part harmonies" to McCartney's original. [12] In 1978 a re-formed version of Badfinger re-recorded "Come and Get It" for K-tel Records, with Evans again