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It is just over half the length of the common B♭ clarinet and pitched a minor seventh higher, a perfect fourth higher than the E♭ clarinet. As a transposing instrument it sounds a minor sixth higher than written, thus the lowest written note E 3 sounds as concert C 4 . Around the beginning of the 19th century, several small clarinets in ...
The E-flat (E ♭) clarinet is a member of the clarinet family, smaller than the more common B ♭ clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E ♭ with a sounding pitch a minor third higher than written. The E-flat clarinet ...
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
Concerto in E-flat major, K060 (Stravinsky): Scores at the International Music Score Library Project; Ledbetter, Steven. 1995. "Igor Stravinsky: Concerto in E-flat for chamber orchestra 'Dumbarton Oaks, 8.v.38'". Pro Arte website (archive from 12 March 2007, accessed 16 September 2011). Strugnell, Stephen. [2007].
Once again the orchestra goes into a section in G major, which exactly imitates the previous section, also in G major. Suddenly the clarinet enters in E-flat major with a virtuosic scale followed by numerous runs. In this E-flat major section there is some very large leaps, one being 3 octaves and a tone at bar 56.
The E-flat major theme is sixteen bars in length. [2] The next section is marked poco più vivo. In some editions, what follows is "Variation I", though it could be argued that the previous section is actually the first variation. In any event, the so-called Variation I presents variations of the theme in triplets.
Andante in C major for Flute and Orchestra, K. 315 (1778) Carl Maria von Weber: Romanza siciliana for flute and orchestra in G minor, J. 47 (1805) [3] Camille Saint-Saëns: Romance for flute and orchestra in D-flat major, Op. 37 (1871) Odelette for flute and orchestra in D major, Op. 162 (1920) [4]
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