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A strophe (/ ˈ s t r oʊ f iː /) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
The chorus (or performers of the ode) would deliver the strophe from one side of the stage, then move to the opposite side to deliver the antistrophe, and finally to centerstage for the epode. This is reflected the three-part nature of the ode: the strophe sets up a theme, the antistrophe balances it with a contrary perspective, and the epode ...
Antistrophe (Ancient Greek: ἀντιστροφή, "a turning back" [1]) is the portion of an ode sung by the chorus in its returning movement from west to east in response to the strophe, which was sung from east to west.
According to one meaning of the word, an epode [1] is the third part of an ancient Greek choral ode that follows the strophe and the antistrophe and completes the movement. [ 2 ] The word epode is also used to refer to the second (shorter) line of a two-line stanza of the kind composed by Archilochus and Hipponax in which the first line ...
The Doric choral songs were composed in complex triadic forms of strophe, antistrophe, and epode, with the first two parts of the triad having the same metrical pattern, and the epode a different form. [14] [13]
Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. [2] "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and ...
The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a higher level to either view or resolve the underlying issues. Odes are often intended to be recited or sung by two choruses (or individuals), with the first reciting the strophe, the second the antistrophe, and both ...