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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
After showing God the problems in the world, they help God believe in the new arrangement. The music builds to an amazing climax, crowned with the entrance of a boy's choir singing the phrase "Magnified and sanctified be His great name, Amen" in Hebrew. The pace of the music slows down, as the narrator has finished his dream.
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.
Black and Southern gospel music are largely responsible for gospel's continued presence in contemporary Christian music, with soul music by far the best–known popular music variant. [5] The styles emerged from the African-American music and American folk music traditions and have evolved in various ways over the years, continuing to form the ...
The associated psalm tones are indicated by number and ending pitch, and the pitches for the ending of the doxology are indicated by the mnemonic Euouae. An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain.
Charles Burkhart suggests that the reason codas are common, even necessary, is that, in the climax of the main body of a piece, a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that, after all this momentum is created, a coda is required to "look back" on the main body, allow listeners to "take it all ...
This copy contained handwritten transcriptions of extensive notes that had been made by General Gordon, and Elgar is known to have thought of the text in musical terms for several years. [2] Throughout the 1890s, Elgar had composed several large-scale works for the regular festivals that were a key part of Britain's musical life.