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In his sonatas for violin, Biber integrated new technical skills with new compositional expression and was himself able to accomplish techniques that few violinists could at his time. [1] The Mystery Sonatas include very rapid passages, demanding double stops and an extended range, reaching positions on the violin that musicians had not yet ...
C. 136 – Fanfare, for 2 trumpets No. 11 in G minor; C. 137 – Fanfare, for 2 trumpets No. 12 in G minor; Sonatae violino solo (8 sonatas for violin and continuo) (1681) C. 138 – Sonata, for violin & continuo No. 1 in A major; C. 139 – Sonata, for violin & continuo No. 2 in D minor; C. 140 – Sonata, for violin & continuo No. 3 in F major
[3] [4] The repertoire for solo violin was actively growing at the time: Heinrich Ignaz Franz Biber's celebrated solo passacaglia appeared c.1676; Westhoff's collections of solo violin music were published in 1682 and 1696; Johann Joseph Vilsmayr's Artificiosus Concentus pro Camera in 1715, and Johann Georg Pisendel's solo violin sonata was ...
Violin Sonata No. 1 in D minor, Op. 1; Violin Sonata No. 2 in D major, Op. 3; Violin Sonata No. 3 in A major, Op. 41; Violin Sonata No. 4 in C major, Op. 72 (gave rise to a scandal at its premiere with a work by Ludwig Thuille) Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A ...
Sonatas and partitas for solo violin, BWV 1001–1006; Violin Concerto in A minor, BWV 1041; Violin Concerto in E major, BWV 1042; Double Violin Concerto (Bach), BWV 1043; Toccata and Fugue in D minor, BWV 565 (suspected to be a transcription of a violin original, by Bach himself or another composer).
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Op. 1 No. 1 – Violin Sonata in A minor; Op. 1 No. 2 – Violin Sonata in C major; Op. 1 No. 3 – Violin Sonata in B flat major; Op. 1 No. 4 – Violin Sonata in D major; Op. 1 No. 5 – Violin Sonata in G major; Op. 1 No. 6 – Violin Sonata in E minor; Op. 1 No. 7 – Violin Sonata in F major; Op. 1 No. 8 – Violin Sonata in G major
Violin with strings crossed for Biber's Resurrection sonata. Heinrich Ignaz Franz Biber's Rosary Sonatas for violin and continuo (c. 1674). Aside from the first ("Annunciation") and last works ("Passacaglia", for solo violin) of this collection, wherein the instrument is set to the common G-D-A-E tuning, the violin for each sonata is tuned to a different array of pitches.
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