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The Aqualung character is also mentioned in "Cross-Eyed Mary", the next song on the album. In a 2015 interview, Martin Barre recounted a situation with Led Zeppelin while recording the song's solo: [7] We'd locked ourselves away in the studio—us doing Aqualung, and them working on Led Zeppelin IV—and I hadn't seen Jimmy Page at all. Finally ...
Aqualung is the fourth studio album by the English rock band Jethro Tull; it was released in March 1971 by Chrysalis Records. Though it is generally regarded as a concept album , featuring a central theme of "the distinction between religion and God", the band said that there was no intention to make a concept album, and that only a few songs ...
Bousfield was born in York, England, and began playing the trombone at the age of seven, taught by his father. He became principal trombonist in the National Youth Brass Band at age 13, and for four years, principal with the Yorkshire Imperial Band, during which time they won the British, National and Yorkshire championships.
For chords, a letter above or below the tablature staff denotes the root note of the chord, chord notation is also usually relative to a capo, so chords played with a capo are transposed. Chords may also be notated with chord diagrams. Examples of guitar tablature notation: The chords E, F, and G as an ASCII tab:
His signature solo on the 1971 Jethro Tull standard "Aqualung" was voted by the readers of Guitar Player magazine as one of the top rock guitar solos of all time. Also, in 2007, this solo was rated one of the 100 Greatest Guitar Solos by Guitar World magazine. Authors Pete Brown and HP Newquest named Barre's "Aqualung" solo as the 25th-best ...
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
Kalevi Aho, Symphony No. 9 (1993-94) Kalevi Aho, Trombone Concerto (2010) Johann Georg Albrechtsberger, Trombone Concerto in B-flat major (1769) [1] Bert Appermont, Colors for Trombone; Alexander Arutiunian, Concerto for Trombone (1991) Luciano Berio, SOLO (1999) Ernest Bloch, Symphony for Trombone and Orchestra (1954) William Bolcom, Trombone ...