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Tomoko Fuse (布施 知子, Fuse Tomoko, born in Niigata, 1951) is a Japanese origami artist and author of numerous books on the subject of modular origami, and is by many considered as a renowned master in such discipline.
Éric Joisel (15 November 1956 – 10 October 2010) was a French origami artist who specialized in the wet-folding method, creating figurative art sculptures using sheets of paper and water, without the use of any adhesive or scissors.
Kunihiko Kasahara (笠原 邦彦, Kasahara Kunihiko) (born 1941) is a Japanese origami master. He has made more than a hundred origami models, from simple lion masks to complex modular origami, such as a small stellated dodecahedron.
Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
Wet-folding is an origami technique developed by Akira Yoshizawa that employs water to dampen the paper so that it can be manipulated more easily. This process adds an element of sculpture to origami, which is otherwise purely geometric. Wet-folding is used very often by professional folders for non-geometric origami, such as animals.
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
His passion for origami was rekindled in his early 20s, when he was promoted from factory worker to technical draftsman. His new job was to teach junior employees geometry. Yoshizawa used the traditional art of origami to understand and communicate geometrical problems. [1] In 1937, he left factory work to pursue origami full-time.
The British origami historian David Lister considered Paper Magic the "first time that anyone had written about paperfolding in such a comprehensive way." [3] It was a systematic treatment of origami that viewed it as a form of art rather than a children's game. [7]
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