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Zephyrus relief from the Tower of the Winds, Athens. Zephyrus, along with his brother Boreas, is one of the most prominent of the Anemoi; they are frequently mentioned together by poets, and along with a third brother, Notus (the south wind) they were seen as the three useful and favourable winds (the east wind, Eurus, seen as bad omen). [1]
Instead, the sisters were plotting to convince Cupid to take one of them to be his wife. The two traveled to the peak and jumped, thinking Zephyrus would catch them and take them to the palace as he did the last time. Zephyrus, however, knowing what was truly in their hearts, ignored them and the two sisters fell to their deaths. [16]
Cupid and Psyche is a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). [2] The tale concerns the overcoming of obstacles to the love between Psyche (/ ˈ s aɪ k iː /; Ancient Greek: Ψυχή, lit.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
Zeus names the child as his successor, which angers his wife Hera. She instigates the Titans to murder the child. Zagreus is then tricked with a mirror and children's toys by the Titans, who shred him to pieces and consume him. Athena saves the heart and tells Zeus of the crime, who in turn hurls a thunderbolt on the Titans. The resulting soot ...
A man, who is weighing the jewels and pieces of gold on the table in front of him sits next to his wife who is reading a book of devotion with an illustration of the Virgin and Child. [1] The couple is not dressed as members of nobility, but rather as well-to-do burghers of Antwerp , where the painting was made.
Tinbergen's four questions, named after 20th century biologist Nikolaas Tinbergen, are complementary categories of explanations for animal behaviour. These are also commonly referred to as levels of analysis. [1] It suggests that an integrative understanding of behaviour must include ultimate (evolutionary) explanations, in particular:
In Oeconomicus, Ischomachus incorporates his wife into household management as soon as they are married and even relies on her to run the household. He does not hide away assets he sees as property, rather he shares them with her. He sees his marriage as a give-and-take relationship, where both he and his wife share equal parts in its success.