Search results
Results from the WOW.Com Content Network
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
The word was popularized in the 1964 film Mary Poppins, [4] in which it is used as the title of a song and defined as "something to say when you don't know what to say". The Sherman Brothers , who wrote the Mary Poppins song, have given several conflicting explanations for the word's origin, in one instance claiming to have coined it themselves ...
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
"Stimulate" "I'm not here to save you / I'm only here for the ride / So let me entertain you / And everything will be fine." [36] At the end of the track. Eurythmics "This City Never Sleeps" "I enjoyed making that, er, record. Very good, very good" At the end of the song, after some seconds of silence. [37] Filter "The 4th"
"Stimulation" is the debut single from Australian pop group Wa Wa Nee. The song was released in April 1986 as the lead single from their self-titled debut studio album. The song peaked at number 2 on the Australian singles chart. [1] The group performed the song live on Countdown on 20 July 1986. [2]
During one session [with The Yardbirds], we were recording "Ten Little Indians", which was an extremely silly song that featured a truly awful brass arrangement. In fact, the whole track sounded terrible. In a desperate attempt to salvage it, I hit upon an idea. I said, "Look, turn the tape over and employ the echo for the brass on a spare track.
This makes the song feel half as slow, even though the chords take the same length of time to play. A song that takes 60 seconds to play in regular feel still takes 60 seconds in half-time feel. However, if a song actually went into half time, say, for a repeat, a 60-second song would last for 120 seconds. See also double-time feel.
His son, Wolfgang Amadeus Mozart, appears to take the exact opposite definition as his father: in a letter to his father, Mozart criticizes singers for "pulsing" their voice beyond the natural fluctuation of the voice, the latter of which being pleasant should be imitated on the violin, winds, and clavichord (with bebung).